Paul Basler: Folk Songs
Folk Songs for horn and piano was written for and dedicated to various students in the composer's horn studio as well as Michelle Stebleton. The playing level ranges from simple to moderately advanced. These pieces fill a void in the horn literature for quality arrangements of some of the world’s finest melodies. The ordering and choice of pieces is left up to the performers.
Alegría
(Puerto Rico)
Funiculì, Funiculà
(Italy)
Round Dance
(Native American – Kiowa)
Hills of Arirang
(Korea)
Nihavend Sarki
(Turkey)
The Drunken Sailor
(British Sea Shanty)
Shenandoah
(United States of America)
Folk Songs for horn and piano was written for and dedicated to various students in the composer's horn studio as well as Michelle Stebleton. The playing level ranges from simple to moderately advanced. These pieces fill a void in the horn literature for quality arrangements of some of the world’s finest melodies. The ordering and choice of pieces is left up to the performers.
Alegría
(Puerto Rico)
Funiculì, Funiculà
(Italy)
Round Dance
(Native American – Kiowa)
Hills of Arirang
(Korea)
Nihavend Sarki
(Turkey)
The Drunken Sailor
(British Sea Shanty)
Shenandoah
(United States of America)
Folk Songs for horn and piano was written for and dedicated to various students in the composer's horn studio as well as Michelle Stebleton. The playing level ranges from simple to moderately advanced. These pieces fill a void in the horn literature for quality arrangements of some of the world’s finest melodies. The ordering and choice of pieces is left up to the performers.
Alegría
(Puerto Rico)
Funiculì, Funiculà
(Italy)
Round Dance
(Native American – Kiowa)
Hills of Arirang
(Korea)
Nihavend Sarki
(Turkey)
The Drunken Sailor
(British Sea Shanty)
Shenandoah
(United States of America)